We offer you an ideal reference to recreate the mineral elements found in particularly dry soils, a series of textures that are the result of erosion and physical characteristics that determine their chemical nature and tones. You can add dusty tones with your airbrush or combine their application with our natural pigments, the results are spectacular.
We offer you an ideal reference to recreate the mineral elements found in particularly dry soils, a series of textures that are the result of erosion and physical characteristics that determine their chemical nature and tones. You can add dusty tones with your airbrush or combine their application with our natural pigments, the results are spectacular.
A very dark mineral tone with references ideal for combining and representing arid volcanic terrains created by geological activity. It will allow us to create the soil found in different environments as well as in fantasy landscapes. You can use this reference in extreme environments, as we can observe these shades in very fertile and wooded soils, but also in arid and desert terrains.
A very dark mineral tone with references ideal for combining and representing arid volcanic terrains created by geological activity. It will allow us to create the soil found in different environments as well as in fantasy landscapes. You can use this reference in extreme environments, as we can observe these shades in very fertile and wooded soils, but also in arid and desert terrains.
A very dark mineral tone with references ideal for combining and representing arid volcanic terrains created by geological activity. It will allow us to create the soil found in different environments as well as in fantasy landscapes. You can use this reference in extreme environments, as we can observe these shades in very fertile and wooded soils, but also in arid and desert terrains.
Landing beaches, lost deserts… this tone is ideal for all your projects requiring one of the most popular sand tones, with the correct scale effect and grain size. A versatile tone next to the Pacific shores (you have our water textures!) or during the battles in Africa during the WWII.
Landing beaches, lost deserts… this tone is ideal for all your projects requiring one of the most popular sand tones, with the correct scale effect and grain size. A versatile tone next to the Pacific shores (you have our water textures!) or during the battles in Africa during the WWII.
Landing beaches, lost deserts… this tone is ideal for all your projects requiring one of the most popular sand tones, with the correct scale effect and grain size. A versatile tone next to the Pacific shores (you have our water textures!) or during the battles in Africa during the WWII.
Matt, transparent, high capillary acrylic fixer. Suitable for realistic fixation of sand and gravel on the surface of bases, dioramas, and vehicles. It can be applied directly on ground textures, with the help of a pipette or a dispenser. It can be diluted in a ratio of three parts fixer to one part Airbrush Thinner if necessary. Dries in 24 hours with a transparent matt finish, preserving the tones and textures used.
Permanent, quick drying varnish and gloss finish. Formula 100% acrylic with UV resistance. Can be apply with airbrush or varnishing brush. It is recommended to apply two coats of varnish, with an interval of at least 4 hours. Quick drying Varnish can be diluted with water if desired.
Permanent, quick drying varnish and matt finish. Formula 100% acrylic with UV resistance. Can be apply with airbrush or varnishing brush. It is recommended to apply two coats of varnish, with an interval of at least 4 hours. Quick drying Varnish can be diluted with water if desired.
Permanent, quick drying varnish and satin finish. Formula 100% acrylic with UV resistance. Can be apply with airbrush or varnishing brush. It is recommended to apply two coats of varnish, with an interval of at least 4 hours. Quick drying varnish can be diluted with water if desired.
Model Air is a range of liquid acrylic colours developed especially for airbrush techniques, with very finely ground pigments and an acrylic resin with properties of extreme resistence and durability. Model AirThe formula contains a new acrylic resin with properties until now impossible to obtain in a waterbased acrylic. The resistence, hardness and covering power of Model Air is superior to any known acrylic for airbrushing. The pigments used for airbrush colours need to be ground to the finest possible consistency to avoid obstruction of the airbrush valves. The revolutionary milling process of the pigments used in the Model Air formula gives the modelpainter technical assurance and finest texture when applying the colours to the model, and produces a very superior qualtity when applying the colours with a brush for miniscule details, for washes and transparencies and layered application of diluted glazes.
Airbrush Flow Improver is a medium to improve the flow & delay the drying of paint on the needle. We recommend adding 1-2 drops Flow Improver to 10 drops of paint in the cup of the airbrush.
The pigments chosen for this range are all earth and iron oxides, especially suitable for all the different climatic and geographical conditions of the terrain of a diorama. To adhere the pigment to the surface of the model Matt Medium is used (70.540), or Pigment Binder (26.233) which dries more slowly and allows more time to simulate water and snow run-offs and to move the pigment into and around the details of the model.
The pigments chosen for this range are all earth and iron oxides, especially suitable for all the different climatic and geographical conditions of the terrain of a diorama. To adhere the pigment to the surface of the model Matt Medium is used (70.540), or Pigment Binder (26.233) which dries more slowly and allows more time to simulate water and snow run-offs and to move the pigment into and around the details of the model.
The pigments chosen for this range are all earth and iron oxides, especially suitable for all the different climatic and geographical conditions of the terrain of a diorama. To adhere the pigment to the surface of the model Matt Medium is used (70.540), or Pigment Binder (26.233) which dries more slowly and allows more time to simulate water and snow run-offs and to move the pigment into and around the details of the model.
The pigments chosen for this range are all earth and iron oxides, especially suitable for all the different climatic and geographical conditions of the terrain of a diorama. To adhere the pigment to the surface of the model Matt Medium is used (70.540), or Pigment Binder (26.233) which dries more slowly and allows more time to simulate water and snow run-offs and to move the pigment into and around the details of the model.
