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  • Waterbased Poliurethane Primer. This Surface Primer can be used directly or mixed with other Auxiliary products like Varnishes, Mediums, etc. It is recomended to avoid mixing Surface Primer with alcohol and/or solvents. Apply with airbrush or brush. This Surface Primer has a selflevelling matt finish of extraordinary hardness and resistence, and does not hide details.
  • Waterbased Poliurethane Primer. This Surface Primer can be used directly or mixed with other Auxiliary products like Varnishes, Mediums, etc. It is recomended to avoid mixing Surface Primer with alcohol and/or solvents. Apply with airbrush or brush. This Surface Primer has a selflevelling matt finish of extraordinary hardness and resistence, and does not hide details.
  • Waterbased Poliurethane Primer. This Surface Primer can be used directly or mixed with other Auxiliary products like Varnishes, Mediums, etc. It is recomended to avoid mixing Surface Primer with alcohol and/or solvents. Apply with airbrush or brush. This Surface Primer has a selflevelling matt finish of extraordinary hardness and resistence, and does not hide details.
  • Waterbased Poliurethane Primer. This Surface Primer can be used directly or mixed with other Auxiliary products like Varnishes, Mediums, etc. It is recomended to avoid mixing Surface Primer with alcohol and/or solvents. Apply with airbrush or brush. This Surface Primer has a selflevelling matt finish of extraordinary hardness and resistence, and does not hide details.
  • Waterbased Poliurethane Primer. This Surface Primer can be used directly or mixed with other Auxiliary products like Varnishes, Mediums, etc. It is recomended to avoid mixing Surface Primer with alcohol and/or solvents. Apply with airbrush or brush. This Surface Primer has a selflevelling matt finish of extraordinary hardness and resistence, and does not hide details.
  • Retarder Medium to delay drying time of Model Color, mix a few drops with the color, or dip brush into retarder on the palette. Colors will not change their consistency. Useful for “wet on wet” techniques and reducing skin formation on the palette.

  • Glaze Medium is a colorless glaze, used to mix with acrylic colors; improves fluidity, increases transparency, and slows drying time. Ideal for shadows, shadings, glazes and working with pigments.

  • Matt Medium extends the colors, increases their fluidity and transparence, and softens the blending of brush strokes. It heightens the flexibility of the colors, and their adhesion to the surface. Does not yellow or change tonality of the color. Can also be used as a binder for dry pigment.

  • Gloss Medium extends the colors, increases their fluidity and transparence, and softens the blending of brushstrokes. It heightens the flexibility of the colors, and their adhesion to the surface. Does not yellow or change tonality of the color. Can also be used as a binder for dry pigment.

  • Chipping Medium is a water based medium to create flaked paint, scratches, and rust chips. Chipping Medium can be applied with airbrush or brush to create chipping effects with waterbased acrylic colors.
  • The pigment set includes a step by step guide by Chema Cabrero to assist in creating the effects of Dust & Dirt on models and dioramas.

  • The pigment set includes a step by step guide by Chema Cabrero to assist in creating the effects of Dust & Dirt on models and dioramas.

  • The pigment set includes a step by step guide by Chema Cabrero to assist in creating the effects of Dust & Dirt on models and dioramas.

  • The pigments chosen for this range are all earth and iron oxides, especially suitable for all the different climatic and geographical conditions of the terrain of a diorama. To adhere the pigment to the surface of the model Matt Medium is used (70.540), or Pigment Binder (26.233) which dries more slowly and allows more time to simulate water and snow run-offs and to move the pigment into and around the details of the model.
  • The pigments chosen for this range are all earth and iron oxides, especially suitable for all the different climatic and geographical conditions of the terrain of a diorama. To adhere the pigment to the surface of the model Matt Medium is used (70.540), or Pigment Binder (26.233) which dries more slowly and allows more time to simulate water and snow run-offs and to move the pigment into and around the details of the model.
  • The pigments chosen for this range are all earth and iron oxides, especially suitable for all the different climatic and geographical conditions of the terrain of a diorama. To adhere the pigment to the surface of the model Matt Medium is used (70.540), or Pigment Binder (26.233) which dries more slowly and allows more time to simulate water and snow run-offs and to move the pigment into and around the details of the model.
  • The pigments chosen for this range are all earth and iron oxides, especially suitable for all the different climatic and geographical conditions of the terrain of a diorama. To adhere the pigment to the surface of the model Matt Medium is used (70.540), or Pigment Binder (26.233) which dries more slowly and allows more time to simulate water and snow run-offs and to move the pigment into and around the details of the model.
  • Game Color is a range of vivid colors especially developed for painting all kinds of fantasy figures and models. The colors can be applied and mixed with one another easily, and dry to a mat and self-levelling finish without leaving traces of brushstrokes. The pigments employed have been selected for their brilliance, maximum stability and light fastness. The formulation of these colors, using the most recently developed acrylic resins, guarantees perfect adherence and permanence on all kinds of surfaces – plastic, resin, metal, etc. Errors can be corrected immediately with water or alcohol; once dry, the colors are waterproof and permanent.
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